If Walls Could Talk

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Leeds, United Kingdom
Tip of the Tongue is a new Leeds based theatre company that works collaboratively to produce engaging theatre that is universal in its essence. By presenting traditional storytelling in a theatrical context, we want to give voice to true stories of our own, individuals close to us, and our audiences. With the addition of live instrumentation and moments of improvisation, we wish to create a unique genre of performance that leaves a lasting impression on our audience.

If Walls Could Talk...

World Premier of 'If Walls Could Talk' was performed in C aquila Studio at the Edinburgh Fringe 4th-29th August 2011:

Out of a suitcase come fascinating tales of shame, sorrow, and side-splitting wit, punctuated with live music. Perhaps, the power of a story lies in the simplicity of its telling? With opportunity for one guest storyteller per show to tell us their own true tale, our audience is invited to indulge with us in the memories and emotions that are provoked by telling a story, and will become as captivated as we are with the true tales of real people.

Watch this space for information on our next project...




Wednesday 31 August 2011

U-Review (in collaboration with The Stage)

Entering the space for If Walls Could Talk was like walking into someone’s living room, complete with homely furnishings and two “Guess Who?” sets on the rug. A snug setting for the storytelling session that was about to begin.

Our five yarn spinners each told, with great linguistic dexterity, two anecdotes from their own pasts, some trivial, others deeply personal, but all heartfelt. There was plenty to relate to – sibling rivalry, favourite teddies and revolting Christmas presents – yet each tale had its own uniqueness. Both ends of the emotional spectrum were touched; the idea of Will Barwick’s playground re-enactment of the film The Full Monty triggered a hearty chuckle, whereas Alison Ford was met with reverent silence as she bravely told us about her grandfather’s battle with Parkinson’s disease.

The individuals’ stories were garnished with illustrative activity from the group which enhanced the theatricality, although this sometimes felt a little forced. What did provide an interesting visual dimension was the way objects present onstage had their significance gradually revealed. The musical accompaniments were competent rather than virtuosic, but this seemed appropriate to the relaxed context.

Tip of the Tongue’s enthusiasm for shared human experience is admirable; they open up their show to anyone with a tale to tell, with one guest storyteller per performance. They were friendly and approachable both before and after the piece, which felt more like a family gathering than a performer and audience scenario.

Not exactly a tour de force, but certainly a very pleasant hour.

Steve Graney

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